Sample Modeling The Saxophones Keygen
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The Saxophones use samples as a base material, chromatically performed by a professional player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants. Advanced real time processing techniques yield realistic legato/portamento, vibrato, overblow, ornamentations & trills with phase continuity, constant-formant pitchbends, subharmonics, growl and flutter tongue to be performed in real time.
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The Clarinets use samples as a base material, chromatically performed by a professional player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants.
Advanced real time processing techniques yield realistic legato/portamento, vibrato, overblow, ornamentations & trills with phase continuity, constant-formant pitchbends, subharmonics, growl and flutter tongue to be performed in real time. Stefano's idea is to create realistic musical instruments. The timbral properties should be indistinguishable from real clarinets. They must be played as real instruments, using a keyboard or a wind controller, plus three or four midi controllers, including an expression pedal or breath controller. All articulations are easily shaped by the player, even in real time, using just velocity, pitchwheel, modwheel, an expression pedal or breath controller, a sustain pedal, plus some optional CCs to control overblow, subharmonics, growl and flutter tongue. Virtually any wind controller can be used to play these instruments. Real time control of most parameters can be accomplished via midi.
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The Clarinets exploit several MIDI controllers for optimal performance. The basic controllers are the Pitchwheel, CC11 (or CC7, or CC2) for the dynamics, CC1 (modwheel) for vibrato intensity, CC19 for vibrato rate. Portamento time can be assigned either to the velocity of the overlapped note or to any CC. Special effects are key noise (CC9), Subharmonic intensity (CC20), Growl (CC21), Flutter Tongue (CC23) and Overblow (CC64). Channel aftertouch (CC129) can be used to control several parameters, such as vibrato intensity or rate, subharmonic, growl or flutter intensity. RealStrat provides incredible playability based on the unique performance modes and easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression.
RealStrat covers practically all sounds, articulations, and techniques a professional guitarist can produce on his Strat, including mute, bridge mute, harmonics, pinch harmonics, slap, unison bend, strumming, picking, chord chopping, scrapes, etc. RealStrat provides incredible playability based on the unique performance modes and easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression.
RealStrat covers practically all sounds, articulations, and techniques a professional guitarist can produce on his Strat, including mute, bridge mute, harmonics, pinch harmonics, slap, unison bend, strumming, picking, chord chopping, scrapes, etc.