Mc Ren The Villain In Black Zip

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MC Ren's The Villain In Black, is probably one of the most unnoticed albums ever made, by one of the most underrated legends of the gangsta rap genre. Mc Ren - Kizz My Black Azz (1992) (320Rip) (Compto. Above The Law - Kalifornia CD Single (1995) (320 R. Mc Ren - The Villain In Black (1996) (320 Rip) (Co.

Happy 30th Anniversary to Eazy-E’s debut studio album Eazy-Duz-It, originally released September 13, 1988. “Now that you bought the album, what the fuck are you going to do with it, bitch?” a distorted, booming voice asks not even a minute into Eazy-Duz-It, Eazy-E’s debut album. In truth, this declaration was the perfect way to start the album: It’s a loud, brash, confrontational statement that features a few curse words and is oddly hilarious. It’s a memorable start to an album that helped shape the course of hip-hop history and now celebrates its 30th anniversary. Eric “Eazy-E” Wright was a real-deal gangsta. One of Gangsta Rap’s founding fathers, he was one of the early rappers who lived what he talked about on his records.

Before he became a rapper, he made his money selling drugs and through other illicit means. He only turned to music as a viable moneymaking option after realizing that engaging in street activities was too dangerous.

Eazy-E is of course best known for his role in one of the first gangsta rap groups N***as With Attitude aka, comprised of such future superstars as,, MC Ren, and DJ Yella. Just months before Eazy-Duz-It hit the shelves, debuted and hit with the power of semi-truck. However, it’s Eazy-E’s early success as an artist that paved the way for the release of Straight Outta Compton. “Boyz-N-The-Hood,” his first single, written by Ice Cube and produced by Dr. Dre, was originally intended for the New York-based Ruthless-signees H.B.O. (Homeboys Only). After deciding the song didn’t fit the group’s -influenced sensibilities, Dre convinced Eazy to rap over it himself.

With its tinkling and deliberate keyboard-line and handclap heavy drum track, “Boyz-N-The-Hood” was unlike much of the Los Angeles-based music that had been released before. The single was a massive success, as it sold thousands of records independently, laid the foundation for Eazy’s Ruthless Records independent label, and made him and his colleagues celebrities among the Los Angeles rap community. A “remix” version of the song appears on Eazy-Duz-It, but the only difference is the addition of a scene-setting opening verse. Eazy-Duz-It invites inevitable comparisons to Straight Outta Compton. Overall, it’s fair to say that N.W.A’s debut is the better overall album, and it features higher highs. However, Eazy-Duz-It is a more cohesive piece of work. It presents a more complete overall picture of Eazy-E as a rapper/personality than Straight Outta Compton did for N.W.A as a group.

Musically, Eazy-Duz-It is the more interesting album. Songs from Straight Outta Compton were culled together from a period of a few years, whereas the majority of Eazy-Duz-It was recorded in the same series of sessions. While recording the album, Dr. Dre and DJ Yella had developed a more unified sound, and they did a lot of interesting things on Eazy-Duz-It. Like the best songs on Straight Outta Compton, the tracks feature a dense, layered collage of samples, with live instrumentation mixed in at times. In terms of lyrical content, Eazy-Duz-It is just as “controversial” as Straight Outta Compton, if not more so.

The album is filled with casual references to sexual assault and domestic abuse, not to mention the countless acts of violence, generalizing womanizing, and overall lack of respect for human life. Gangsta rap operated under the premise that the emcees were reflecting the grim realities that they lived every day, but even for the time, the content on Eazy-Duz-It is extreme. And yet, somehow Eazy-E manages to pull it off. Though Eazy was a street soldier through and through, he doesn’t take himself too seriously on the record.